攝影：林彥翔
蕭育禮 HSIAO Yu-Li
1997年出生於臺灣臺南，畢業於國立中正大學機械工程學系、國立臺北藝術大學新媒體藝術學系碩士班（原科技藝術研究所），同時為Maker Village核心成員。創作類型以聲響及動力裝置為主，聲音上探索在原音（Acoustic）與取樣（Sampling）之間轉換中的形變過程，而動力裝置以廢棄技術物的解剖學和拼貼技法作為主要研究的方向。近幾年與不同領域的創作者共同創作時，常以機械學來思考無機物與有機物之間的關係，並尋找兩者間能如何擾動彼此。
曾參與第⼆屆JPG擊樂實驗室 Group3 《現象場 Phenomenon Field ⇌ Auditory》擔任裝置設計與製作、【廳院35 藝術行動】2057：給35年後的活存演習《練習與hiṟing溝通》聲音設計及聲音裝置，並於2023年於衛星藝廊舉辦《剖開未能腐敗的屍體》蕭育禮個展。
2024年以共創作品《逆斷口》入圍第22屆台新藝術獎。
Hsiao Yu-Li (b1997. Tainan, Taiwan) is a creator in between engineering and fine art, most of his artworks are sound and kinetic installations. Due to his interest in percussion improvisation and machines, Yu-Li focuses on the deformation process of sound between Acoustic and Sampling. While studying for his MFA at Taipei National University of the Arts (Taiwan), Yu-Li organised his concept of juxtaposing electronic waste and technical objects with the human body system, and began to create his skill of assemblage and anatomy for e-waste. In recent years, when Yu-Li collaborates with creators from different fields, he often thinks about the relationship between organisms and inorganic matter from the perspective of mechanics, and tries to find out how the two can interfere with each other.
Yu-Li has participated in 2nd Ju Percussion Group Lab, Group 3, "Phenomenon Field ⇌ Auditory" as mechanic installation design, 2057:Rehearsing Ways of Living "Rehearsing with hiṟing" as sound and installation design, and held a solo exhibition “Open Up a few Un-Rotting Corpses” in 2023.
In 2024, he was shortlisted for the 22nd Taishin Arts Award with his collaborated work "Re-Fracture".